The main feature of PluralEyes is automatic sync of several video and audio files.
Cost / License
- Paid
- Proprietary
Platforms
- Mac
- Windows
United States




Entangle for Avid is described as 'Dual Audio and Audio sync for Avid made easy. Simply select clips , right click , send to Entangle, and drag back the resulting AAF' and is an app. There are eight alternatives to Entangle for Avid for Mac, Windows, Linux, DaVinci Resolve and Adobe Premiere Pro. The best Entangle for Avid alternative is PluralEyes. It's not free, so if you're looking for a free alternative, you could try Syncaila or CamHeard. Other great apps like Entangle for Avid are Woowave DreamSync, QT Sync, SyncLab and Tentacle Sync.
The main feature of PluralEyes is automatic sync of several video and audio files.




Syncaila is a tool for video editors, which performs a completely automatic synchronization of audio and video footage from multi-camera shoots.

Automatic multicam audio sync for macOS and Windows — sync every camera and audio recorder in one click and export an aligned timeline to Premiere Pro, DaVinci Resolve, or Final Cut Pro.



DreamSync is a standalone software solution for Mac OS X and Windows that simplifies the tedious process of manually synchronizing audio and video. DreamSync lets video editors of every skill level produce professional quality sounding visual content in one click.




QT Sync is a QuickTime Movie Player, Movie Sync Fixer, TimeCode Inserter, Movie Ratio Changer and much more... And it's Free.




SyncLab is a standalone desktop app for macOS and Windows that automatically syncs multi-camera footage and separate audio recordings by their sound, then hands you a ready-to-edit timeline.



Tentacle Sync Studio is more than just a syncing software: it’s the Swiss army knife of timecode and the key to syncing simplicity.



Software/Hardware open source combo for audio and/or video synchronization. Needs the DIY hardware dongle during shooting, based on off the shelve components (SAMD21 Arduino + GPS module).

