Music composition environment for Android devices. A whole music studio in your pocket! Full featured sequencer with social aspects
Cost / License
- Freemium
- Proprietary
Application types
Alerts
- Discontinued
Platforms
- Android




Studio One is described as 'Advanced digital audio workstation for Mac and Windows featuring a bevy of powerful composition, editing, mixing and mastering tools on top of standard multi-track DAW features. Highly praised for its intuitive chord track that lets users drag and drop both' and is a music production app in the audio & music category. There are more than 50 alternatives to Studio One for a variety of platforms, including Windows, Mac, Linux, Android and Web-based apps. The best Studio One alternative is LMMS, which is both free and Open Source. Other great apps like Studio One are FL Studio, Ardour, Ableton Live and Bitwig Studio.
Music composition environment for Android devices. A whole music studio in your pocket! Full featured sequencer with social aspects




openDAW is a next-generation web-based Digital Audio Workstation (DAW) designed to democratize music production and to resurface the process of making music by making high-quality creation tools accessible to everyone, with a strong focus on education and data-privacy.

openDAW is the most popular Self-Hosted alternative to Studio One.
Record, jam, and capture your creativity whenever and wherever it strikes. Packed with authentic Fender tones, Fender Studio is fast, fun, and free for guitar players and music creators of all types.




Mb Launchpad is the first Linux launchpad. Available for Linux, MacOS, Android (executables) and for Wdos if you compile it.



Sequencer64 is a live-looping sequencer with an interface more like a hardware sequencer than track-based MIDI sequencers. Seq64 is a reboot of Seq24, extending it greatly over the last years.




Skale Tracker is a music tracker (a special kind of music sequencer) available for Windows and Linux on the desktop as well as in a Flash-based browser verison.



